![]() I remember very clearly going to Apple Music and listening to one of their demo tracks when they unveiled the feature. It really is a new experience.”įor me, Spatial audio was a big letdown. I mean, I never even heard it like this before. It sounds like you’ve never heard it before. Keys said that engineers working on her albums “completely reimagined every note, every sound, every instrument, every voice. “When I was a teenager, I used to listen to an album three, four times through just sitting in front of my speakers, entranced.” That way of listening has disappeared, he said, but he’s hopeful that Atmos can bring it back, “if we’re able to get people to understand what it is and hear it the right way.”Īlicia Keys, who has so far had eight of her albums remixed for Dolby Atmos, is another big fan of the tech. It’s something in your headphones while you’re out doing other stuff,” he said. “Music has become background noise for most people. Like all mixing, it’s subjective, and how you approach it really depends on the music itself.” Spatial Audio transforms musicīut when it’s done right, they say, it really transforms the experience of listening to music. “The goal is to feel like you’re sitting amongst these musicians as they’re performing. Wood - who has done mixes in consultation with the original artists as well as on his own - “In general, you have to try to put the tracks into a speaker array so it doesn’t sound too jarring or gimmicky,” he said. But sometimes what comes back are just bad mixes - or strange mixes, anyway.”įellow producer and sound engineer Brad Wood agrees. “The labels seem to be farming this stuff out and it isn’t always being done with the original artist or production team involved,” Clearmountain said. But Clearmountain told The New York Times that not all labels are taking the work so seriously. In the best of cases, they use the original production teams – who bring to the work their understanding of what the artist was aiming to achieve. Music labels need to remix their master recordings to take advantage of the technology. These objects can be manipulated and moved around within the space creating a convincing 3D soundstage. ![]() ![]() The technology can also produce up to 118 simultaneous sound objects, allowing the sound designer to place each sound and voice to exact points within the sound field rather than simply assign them to specific channels. ![]() Unlike traditional channel-based systems, Dolby Atmos doesn’t just send audio at discrete levels to each speaker. It’s a form of surround sound, but is significantly more sophisticated than the 5.1 and 7.1 implementations which preceded it. It first launched on Apple Music a little over two years ago. Spatial Audio is Apple’s marketing term for Dolby Atmos, likely chosen in an attempt to make it sound like an audio format exclusive to the company’s own products. album, says that he hopes Spatial Audio will bring back the days when people sat down and actively listened to music – instead of it simply being a background soundtrack to their lives.Īrtist Alicia Keys says that it should, as it completely transforms the experience of listening to an album … What is Spatial Audio, aka Dolby Atmos? ![]() Bob Clearmountain, the US recording engineer who mixed Bruce Springsteen’s Born in the U.S.A. ![]()
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